Now for sale on Bandcamp — “What Month Is It?”, a track recorded on cassette in 1988 in a frumpy ground-floor townhouse rental in Davis, CA. I think this might’ve been one of the few things I worked on that didn’t cause the upstairs neighbors to bang on the floor.
A couple months back I traded in the defective Modal Electronics Argon8 for a Korg wavestate. The latter isn’t especially easy to learn, with a lot of menu-diving involved.
The stock “performances” that were oh-so-cinematic in the YouTube wavestate demos turned out to be, with few exceptions, not so alluring after a few listens; I spent last evening scrolling through program presets and making a list of favorites.
I’ve also been working on learning the ins and outs (and sends and inserts and returns and busses) on a new Mackie 1642VLZ4 mixer. Initial forays include incorporating blends from three different Buddha Machines, as well as continuing to digitize long-neglected Funharm cassettes dating back to the early-to-mid-eighties.
Today Bedroom Cassette Masters released a free (well, pay-what-you-like) compilation on Bandcamp entitled 1980-89 Volume X that has some very snazzy PDF liner notes.
It also has a contribution from Funharm — track 13, “Ideal Planes”, from 1985. A portion of said PDF snazziness is screengrabbed above.
Thank you to Bedroom Cassette Masters for including my song, tracking down highlights from 80s (and 80s-influenced) home-recorded electronics, and putting together an impressive package.
This is the audio from the YouTube video I released for Drone Day in late May, 2020. It’s the first new recording I’ve made public since 1985’s “Ideal Planes.”
* This track’s price has since been raised to US$1.00
I still have my Poly-800, and it still works fine, right down to the noisy 256-note sequencer. My dad lent me the money to buy it in 1985 — I got one with the reversed keys, of course.
A lot of stuff was recorded on it that remains unreleased; “Ideal Planes” was probably one of the more listenable things I came up with, but I’m still going through cassettes from that era, and finding other segments and experiments that may be of interest.
I downloaded the the free version of the softsynth emulation this morning, though, because
“[It] raises the stakes slightly by offering two DCOs per voice – on the original, this was only possible when using the Double mode, which halved the polyphony. You can choose from two waveforms and each oscillator has additive harmonics ((16′, 8′, 4′, 2′).
Elsewhere, there’s a low-pass VCF, Noise, three envelope generators and a pseudo-stereo chorus effect. Enhancements in comparison to the original hardware include up to 64 voices of polyphony, and a ‘God Mode’ for real polyphony. The interface might seem a little fiddly, but MIDI Learn means that all parameters can be tweaked using a controller.” (from Music Radar)
Although I haven’t used the plug-in yet, I look forward to that extra DCO without the stolen polyphony. I’ll report back.
This piece (video and audio) was recorded near Mono Lake in December 2019 and March 2020. The audio is one of the few usable things I developed on the Modal Argon8 synthesizer before sending it back to Sweetwater.
Happy Drone Day.
Earlier this month I lugged my new Argon8 wavetable synthesizer to Mono Lake to do some recording. I hooked it up via USB to my laptop, and fired up the Modal app for some patch editing. The app informed me a firmware update was available, so I downloaded it.
The synth was updated in less than 90 seconds. No problems.
Except the Modal app and my laptop no longer recognized the USB connection to the Argon8.
I rebooted everything. No luck. The Argon8 didn’t show up in the MIDI panel on the laptop. Hitting “refresh” on the app did nothing. Reinstalling the app did nothing. Running the firmware update again did nothing. The app still couldn’t find the synth.
The synth worked fine. The reason I brought it on the trip, however, was to modify factory patches. It’s reasonably easy with the app, but since the app wasn’t finding the synth, I had to do it the old-fashioned way: twisting knobs and saving custom presets.
I went back and forth with Modal support in the UK over the course of a week. They were patient and helpful, but finally told me they suspected the USB card on the Argon8 was hosed. They admitted this had never happened before. They offered to put me in touch with their US distributor, Voltage, but I never heard from the latter, and I’d already talked with Sweetwater, the reseller who originally shipped me the synthesizer.
There was no delay and no fuss — Sweetwater sent me a new replacement Argon8 immediately, along with a prepaid return label for the defective unit.
All that’s left to do is dump my custom presets as SysEx data so I can load them on the replacement unit when it arrives.
Thank you, Sweetwater (and Modal), for a fairly painless resolution to a situation that could’ve been a much bigger ordeal.
UPDATE (March 25, 2020): Let’s just say the process isn’t / wasn’t as “fairly painless” as I’d hoped. I can’t figure out how to dump the sysex patch data over MIDI without the Modal app — and, apparently, Sweetwater can’t either. Voltage, Modal’s US distributor, and Modal UK aren’t answering support requests. Hope to hear back from at least one of the three entities in the next day or so.
UPDATE (March 26, 2020): Voltage, Modal’s US distributor, didn’t “reach out” as Modal said they would on March 17. I sent Voltage a followup request on March 25, and another on the 26th, with no answer, no acknowledgment or autoreply.
I’d received some info from Sweetwater and, today, finally, Modal (after opening up yet another ticket) regarding getting the patch data off the defective unit using SysEx Librarian. The recommended process seemed like it was missing a step or two, but I tried anyway, in several different ways.
But after hours of various attempts to dump the sysex patch data into a laptop running SysEx Librarian with no luck, I’m giving Modal support one more day to see if they respond with more details. This has been going on since March 10, so it seems I’m jumping through all the requested hoops.
UPDATE (April 17, 2020): I finally got a call back from Voltage on March 30. Two of their employees were sympathetic and helpful over the phone. They offered to have me send back the defective unit, put a new USB card in it, dump the patches I’d made, then send me the patches so I could load them on the new synthesizer. This involved shipping a demo unit from Wisconsin to their office in LA. However, after several attempts to contact them again to work out the shipping address and other details, I got no response. After waiting two weeks I gave up, and returned both the defective Argon8 synth and the replacement for credit at Sweetwater.
I find myself, as I often do, in the Eastern Sierra. I’m just north of Mono Lake. I head this way whenever I’m able to get time off work.
This time I brought more stuff than usual.
A couple months ago I purchased a demo unit of Modal Electronics’ Argon 8 wavetable synthesizer. Since then, I’ve been trying to learn its various knobs, patches, effects and other doodads.
The place I’m staying has no satellite TV, and very slow internet. It’s a good place to concentrate; the only real distraction is the view of the lake. It’s a good location for sketching out ideas and doing some recording (and re-recording).
I have an old M-Audio Firewire 410 interface that only works with old versions of OS X on old laptops. So I brought the old laptop. The Modal app, however — useful for patch editing and the like — only works on new(er) laptops. So I brought the new(er) laptop, too.
As misfortune would have it, the Modal app stopped recognizing the Argon after I upgraded the latter’s firmware this morning. The synth still works fine. So it goes.
I think this is one of the first things I recorded. It’s the first track on the 8.81 – 1.83 cassette.
This was done in my bedroom at my parents’ house in Lakewood, CA in 1981. The title is taken from an Oblique Strategies card, as I was fixated on Eno’s “Discreet Music” at the time.
The found recordings were obtained by hanging a mic outside the window.
Found some more stuff.
Groceries* is an R. Stevie Moore cover.
Damn, this tape is hissy.